Curriculum vitae; Gonzales-Day, Ken; Education; College teaching; Art Exhibitions; Scholarships; Reviews of research; Lectures and lecturing
Ken Gonzales-Day's curriculum vitae listing his education, fellowships, monographs, solo exhibitions, public art projects, selected group exhibitions, public/private collections, special print projects, awards and grants, bibliography, reviews and...
Curriculum vitae; Gonzales-Day, Ken; Education; College teaching; Art Exhibitions; Scholarships; Reviews of research; Lectures and lecturing
Ken Gonzales-Day's curriculum vitae listing his education, fellowships, monographs, solo exhibitions, public art projects, selected group exhibitions, public/private collections, special print projects, awards and grants, bibliography, reviews and...
Gonzales-Day, Ken; Adorno, Theodor W., 1903-1969; Benjamin, Walter, 1892-1940; Lynching; California; Latinos in American history; Archival materials; Art Exhibitions; Photographs; CUE Art Foundation
The exhibition included the Erased Lynching series, the wallpaper piece, The Wonder Gaze (St. James Park), and two photographs from the Searching for California's Hang Trees series. The exhibition catalogue introduction was written by Bruce...
Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the trees in this series are certain, others were taken in approximate locations that corresponded to the historical data...
Lynching; Trees; Art Exhibitions; Billboards; Public art; Barbed wire; Telephone lines
Photograph of public art installation of "Nightfall II" in Los Angeles. Image affixed to a billboard on La Cienega Boulevard. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of...
Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions; Photography
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions; Photography
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Art Exhibitions; Photography; Landscape photography; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Istallation shot for "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel...
Art Exhibitions; Photography; Landscape photography; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Istallation shot for "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel...
Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Profiles of human foreheads drawn from photographs, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater,...
Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Profiles of human foreheads drawn from photographs, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater,...
Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Photograph of "Umbragraphic Landscape #1," as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. Piece is a representation of Death Valley sand dunes drawn in forehead contours. In this...
Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Istallation shot for solo exhibition "Physiognomy and the Love of Mankind" at Steve Turner Contemporary. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel Adams and "Group...
Lynching; Art Exhibitions; Postcards; Photography; Los Angeles County Museum of Art
Installation shot of "Phantom Sightings" exhibit at Los Angeles County Museum of Art (LACMA). Photograph includes, (left to right), "Erased Lynching Series," and a photographic negative image of "The Wonder Gaze (Saint James Park)." The lynch...
Lynching; Art Exhibitions; Postcards; Photography; Los Angeles County Museum of Art
Installation shot of "Phantom Sightings" exhibit at Los Angeles County Museum of Art (LACMA). Photograph includes, (left to right), "The Wonder Gaze (Saint James Park)," and "Erased Lynching Series." The lynch victims have been removed in this...
Art Exhibitions; Photography; Drawing; Found objects (Art); Sculpture; Busts
Installation shot of found images in "Profiled" series at Las Cienegas Projects in Los Angeles. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the...
Art Exhibitions; Photography; Found objects (Art); Sculpture; Busts
Installation shot of found images in "Profiled" series at Las Cienegas Projects in Los Angeles. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the...
Art exhibitions; Photography; Sculpture; Nude in art; Graffiti; Art - Mutilation, defacement, etc.
Photograph shows three statues from the posterior which have been variously defaced. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the impact of...
