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You've searched: Ken Gonzales-Day Collection

  • All fields: Los Angeles (Calif.)
(46 results)



Display: 20

    • Taken from county jail, 1863

    • Crowds; Horses; Buildings; Los Angeles (Calif.); Executions and executioners
    • In 1863, a mob of approximately 200 men broke into the county jail in Los Angeles, and grabbed Boston Daimwood (or Damewood) and his 3 cohorts, along with a young man named Wood, who was being held for stealing chickens. All 5 were lynched. In...
    • City in flames

    • Riots California; Fire; Smoke; Los Angeles (Calif.)
    • Composite image of Watts Riots (1965), Salazar or East Los angeles Riot (1972), Rodney King uprising (1992), an unidentified image form Siqueiros photographic archive, and a smoke cloud from the Los Angeles Fires (2003). The oldest image is at the...
    • An Image Bank for Everday Revolution

    • Mountains; REDCAT (Art center); Skies in art; Fires; Los Angeles (Calif.)
    • This image was taken during the Los Angeles fires in 2003 and was incorporated into City in Flame , 2006. Presented as a part of the exhibition An Image Bank for Everyday Revolution at REDCAT, Los Angeles.
    • Untitled, parking structure

    • Trees; Forest canopies; Symmetry (Art); Mural painting and decoration
    • The underside of a tree canopy manipulated to look like a kaleidoscope image. This image is part of a proposed photographic mural for the parking structure, part of a public art project, now installed at the Los Angeles County Administrative...
    • Untitled, detail of parking structure

    • Trees; Forest canopies; Symmetry (Art); Mural painting and decoration
    • The underside of a tree canopy manipulated to look like a kaleidoscope image. This image is part of a proposed photographic mural for the parking structure, part of a public art project, now installed at the Los Angeles County Administrative...
    • Untitled, lobby proposal

    • Grasslands; Trees; Mountains; Lobbies (Rooms)
    • This image shows the proposed photographic mural for the lobby entrance, as part of a public art project, now installed at the Los Angeles County Administrative Building at 84th and Vermont in Los Angeles. The final image was produced on ceramic...
    • Variation #4 side

    • Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions
    • Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was designed...
    • Variation #4 front

    • Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Photography
    • Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was designed...
    • Variation #3 side

    • Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions; Photography
    • Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was designed...
    • Variation #3 front

    • Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions; Photography
    • Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was designed...
    • Variation #1

    • Trees; Public art; Murals; Ceramics; Ceramics in interior decoration; Government buildings; Photography
    • Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was designed...
    • Variation #2

    • Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Photography
    • Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was designed...
    • Nightfall II billboard

    • Lynching; Trees; Art Exhibitions; Billboards; Public art; Barbed wire; Telephone lines
    • Photograph of public art installation of "Nightfall II" in Los Angeles. Image affixed to a billboard on La Cienega Boulevard. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of...
    • Memento Mori

    • Portraits; Photography; Chairs; Lynching; Art Exhibitions
    • Portrait of a young man standing as a lone figure against a dark background, addressing the viewer. Piece is entitled "Memento Mori."
    • Label wall

    • Lynching; Photography; Trees; Getty Research Institute; Art Exhibitions; Lettering
    • Label wall for installation at Getty Research Institute, Scholar Common Room. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the trees in this series are certain, others were...
    • Nightfall II

    • Lynching; Photography; Trees; Getty Research Institute; Art Exhibitions; Tables; Chairs
    • "Nightfall II," as installed at Getty Research Institute, Scholar Common Room. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the trees in this series are certain, others...
    • Works from Profiled series

    • Art Exhibitions; Photography; Busts; Sculpture; Getty Research Institute
    • Photograph includes four works from "Profiled" series at Getty Research Institute, Scholar Common Room. In this conceptually driven photographic project, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of...

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