hair ornaments; calligraphy; mirrors; hand mirrors
To celebrate and document the fashions of former times, Chikanobu created a chronological presentation of beautiful women in sumptuous garments. Above the foreground figures are pictorial insets which make reference to the era of the costume,...
This later Setsu gekka series, which numbers at least 30 prints, is rather lyrical in its depiction of seasonal change. Flower petals flutter to the ground as a little dog tugs on its leash. Mist crosses a full summer moon as Niwaka Festival...
women; hats; veils (headcloths); kimonos; children (people by age group)
Dressed in a black lacquered hat with a broad brim and a delicate silk gauze veil, this woman appears to be in a traveling outfit. Perhaps she is supposed to be a court lady traveling between the Southern Court of emperor GoDaigo (1288-1339) in...
Within the series of more than 20 triptychs, at least 2 have close-up scenes, in which the figures dominate the composition. When viewing these images mounted in a handscroll format, the sudden appearance of these large forms in quite jarring...
At New Year's playing with silk thread balls / itomari was popular among girls and women. Such hand balls / temari were filled with natural sponges for bouncing or with cloth or hair if used for rolling, tossing or just decoration. Here two older...
An image of two women. In a series of seven prints, Yoshitoshi depicted the consorts of the Meiji Emperor. These two women before a waterfall are thus identified with Wednesday (water day). While the new Meiji government allowed artists more...
legends (folk tales); men (male humans); armor (protective wear); Buddhas
An armored samurai is wrestling a red demon and multitude of skeletons under the gaze of a grinning yellow Buddha. Toki Motosada has seized the demon by the wrist and is throwing it down. Moths flutter around them under a full moon.
Where...
banners; parasols; flowers (plants); baskets; women; men (male humans); kimonos; processions; floats (vehicles); Built complexes and districts
This set of small deluxe prints revisited many of the subjects and themes Chikanobu had depicted in earlier and larger formats. But where the "Chiyoda Inner Palace" or Chiyoda Ooku series of triptychs portrayed the shogun's private quarters where...
Of the 50 prints in the series, 7 depict women of the Meiji Era, although none of them wear Western clothes. This is different from Yoshitoshi's 1888 series "32 Aspects of Daily Life / Fuzoku sanjuniso" which has 9 women (out of 32) identified with...
women; hairstyles; hair ornaments; kimonos; children (people by age group); pictures (object genre)
Meiji period color woodblock print depicting a large head portrait of a young bijin wearing a kimono decorated with colorful calligraphy.
The series, "Mirror of the Ages" presents a group of fifty-three bust portraits of beauties from the Kenmu...
Meiji period color woodblock print depicting the head of a young bijin wearing a kimono decorated with wisteria and holding a closed fan. The upper part of the print pictures a festival with an elephant float. Kansei no Koro.
The series, "Mirror...
A woman, slightly bent over, grasps her hair at the river's edge. Kiyohime was the daughter of an innkeeper at the village of Masago. Anchin was a devout monk at Dojo Temple on the banks of the Hidaka river. Each year Anchin stayed at Kiyohime's...
Between 1885 and 1892 Yoshitoshi published a series of 100 individual woodblock prints depicting figures from Japanese and Chinese legend, history, literature, and theater. These are the contents pages for the series, designed by the calligrapher,...
On a ribbon floating above a globe, the series title is presented in large characters / kanji, with the publisher's name on the right and the artist's name on the left. The sphere has lines suggesting longitude and latitude divisions, resembling a...
women; elderly; kimonos; men (male humans); hats; Single Built Works; trees; fences; hand spinning; bridges
An image from the series of parodies of the Twenty-four Paragons of Filial Piety, in which a bijin with a green sack stands at a gate, while an old woman can be seen in the interior of the house behind the gate. The inset shows a young man and...
women; hairstyles; hair ornaments; kimonos; banners; lanterns (lighting devices); Single Built Works
Midway in the series is Horeki no koro (1751-63) which shows a modestly dressed woman, probably a merchant's wife, and the inset depicts the upper facáde of the kabuki theater Nakamuraza in Edo. The scene is identified as a kao mise / "face...
women; children (people by age group); kimonos; fans (costume accessories); oil lamps; fruit; stoves (heating equipment); Single Built Works; tables (support furniture); men (male humans)
Meiji period color woodblock print from the "Parody of 24 Paragons of Filial Piety" series, depicting the dutiful son Gomo eating a pomegranate. Above them Wu Meng has lit a smoking fire to protect his father from mosquitoes.
In an abstract space, a woman sits with her kitten next to a sewing box. She holds a ruler and has a bolt of cloth on her lap. This scene seems timeless and quite tranquil, although her attention is attracted to someone or something outside the...
Two women and a girl prepare musical instruments for a concert. The woman at center holds a lute or biwa, that is ornamented with a plectrum guard featuring a deer under a full moon. The biwa was popular as an accompanying instrument to songs and...
porches; dwellings; Single Built Works; women; kimonos; children (people by age group); men (male humans); infants; fans (costume accessories); toys (recreational artifacts); stoves (heating equipment); lanterns (lighting devices); Japanese maple
Print. no. 6 from the series of parodies of the Twenty-four Paragons of Filial Piety. The top panel illustrated the story of Lady Tang who breast fed her elderly, toothless mother-in-law. In the lower panel a baby is crawling toward its mother, who...
