women; hairstyles; hair ornaments; kimonos; banners; lanterns (lighting devices); Single Built Works
Midway in the series is Horeki no koro (1751-63) which shows a modestly dressed woman, probably a merchant's wife, and the inset depicts the upper facáde of the kabuki theater Nakamuraza in Edo. The scene is identified as a kao mise / "face...
Two women and a girl prepare musical instruments for a concert. The woman at center holds a lute or biwa, that is ornamented with a plectrum guard featuring a deer under a full moon. The biwa was popular as an accompanying instrument to songs and...
At New Year's playing with silk thread balls / itomari was popular among girls and women. Such hand balls / temari were filled with natural sponges for bouncing or with cloth or hair if used for rolling, tossing or just decoration. Here two older...
On the second floor of a Western-style building, probably the famous Rokumeikan, Japanese couples appear to be taking dancing lessons, accompanied by two pianists. The young people seem awkward in movement and intent in their expressions,...
men (male humans); soldiers; military uniforms; halberds; swords; chairs; fans (costume accessories); rifles (long guns); revolvers (firearms); maps; kimonos;
This imaginary group portrait has Saigo Takamori (1827-1877) seated at the top center panel dressed in a European style officer's uniform. He seems to direct his gaze toward Murata Shinpachi (1836-1877), his deputy in charge of the artillery,...
hair ornaments; calligraphy; mirrors; hand mirrors
To celebrate and document the fashions of former times, Chikanobu created a chronological presentation of beautiful women in sumptuous garments. Above the foreground figures are pictorial insets which make reference to the era of the costume,...
In an abstract space, a woman sits with her kitten next to a sewing box. She holds a ruler and has a bolt of cloth on her lap. This scene seems timeless and quite tranquil, although her attention is attracted to someone or something outside the...
Of the 50 prints in the series, 7 depict women of the Meiji Era, although none of them wear Western clothes. This is different from Yoshitoshi's 1888 series "32 Aspects of Daily Life / Fuzoku sanjuniso" which has 9 women (out of 32) identified with...
women; kimonos; Single Built Works; agricultural land; teakettles; tables (support furniture); stoves (heating equipment)
Several tourists are enjoying the interesting phenomenon of the moon being reflected on the water surface of flooded rice fields in Shinano Province (Nagano Prefecture). This famous view was well-known to travelers and even illustrated by Hiroshige...
children (people by age group); men (male humans); porches; folding screens; trees; flowers (plants); swords; fusuma
According to the inscription on the left side, this composition was originally a painting by Chikanobu that he entered in the Second Painting Competitive Exhibition / Dai ni Kaiga Kyoshinkai held in 1884. The work received the bronze prize and was...
men (male humans); women; kimonos; military uniforms; hats; swords; chandeliers; murals (any medium); interior spaces
A Meiji government official dressed in his Western style military uniform receives his cockaded hat from one female attendant while another holds his European style sword. The group stands in a Western style building, probably the home of this...
men (male humans); costume; hairstyles; hair ornaments; hats; headgear; actors
Chikanobu provided illustrations for a number of board games and playing cards. These 3 sheets with 27 portraits of kabuki actors were probably published between 1882 when Nakamura Sennosuke (1860-1926) took the stage name Sawamura Tosshi VII and...
porches; blinds (coverings); women; men (male humans); children (people by age group); flowers (plants); trees; kimonos; swords
The Heike leader Taira no Kiyomori (1118-1181), at right, stares down at Lady Tokiwa Gozen, whose husband, Minamoto no Yoshitomo (1123-1180), was recently killed. She had fled Kyoto with her three sons, concerned that the Heike forces would kill...
The Battles of Coxinga/ Kokusenya kassen is based on the true adventures of Coxinga/ Watonai, a warrior of Chinese and Japanese parentage, who fought for the restoration of the Ming Chinese government after its defeat in the 17th c. by Manchu...
These two women are dressed in summer kimono with blue water patterns. The kneeling woman holds out an ornament with a straw dragon entwined around a pine branch, a symbol of the “sea god” / umi no kami associated with the worship of the Shinto...
Six women in the foreground are guards, uniformly dressed in thick black robes and protective headgear. They are responsible for protecting the Ooku evacuees whenever there is a fire or other disturbance. Several carry halberds / naginata sparks,...
women; men (male humans); folding screens; kimonos; knives
According to the text panel, which reads like a police report, Tokunaga Bin attacked and stabbed seven people at the Sugidoya in the New Yoshiwara pleasure quarters on the 23rd day of the 7th month of 1879. A native of Fukushima Prefecture, this...
In the autumn fashionable geisha would dress in their lover's garments to visit the neighborhood shrine and participate in Niwaka kyogen, impromptu skits about life in the brothels. Dressed like an elegant young man, a young lady glances up at a...
Four of the great Meiji Period kabuki actors are represented in this triptych. Nakamura Shikan IV (1830-1899) in the role of Takeda Shingen (1521-1573) is at far right, next to Ichikawa Danjuro IX (1839-1903) playing the part of Rakuganji...
depictions; men (male humans); taiko; warriors; spears (weapons); swords
Yoshitoshi depicts a real character: Oishi Kuranosuke--chief of the famous forty-seven ronin of Ako--about to lead the night attack on Lord Kira's mansion. Yoshitoshi probably included Kuranosuke in this series of the 24 Accomplishments in Imperial...
