hair ornaments; calligraphy; mirrors; hand mirrors
To celebrate and document the fashions of former times, Chikanobu created a chronological presentation of beautiful women in sumptuous garments. Above the foreground figures are pictorial insets which make reference to the era of the costume,...
Within the series of more than 20 triptychs, at least 2 have close-up scenes, in which the figures dominate the composition. When viewing these images mounted in a handscroll format, the sudden appearance of these large forms in quite jarring...
children (people by age group); men (male humans); porches; folding screens; trees; flowers (plants); swords; fusuma
According to the inscription on the left side, this composition was originally a painting by Chikanobu that he entered in the Second Painting Competitive Exhibition / Dai ni Kaiga Kyoshinkai held in 1884. The work received the bronze prize and was...
If the "Mirror of the Ages" series is viewed chronologically, perhaps in an album format, the costumes prior to the Tenna era are quite elaborately decorated with various colors, patterns and techniques, which make the 2 images representing the...
legends (folk tales); men (male humans); armor (protective wear); Buddhas
An armored samurai is wrestling a red demon and multitude of skeletons under the gaze of a grinning yellow Buddha. Toki Motosada has seized the demon by the wrist and is throwing it down. Moths flutter around them under a full moon.
Where...
women; kimonos; children (people by age group); snow (precipitation); trees; hats
Tokiwa gozen had to flee Kyoto in the dead of winter after her husband Minamoto no Yoshitomo (1123-60) was murdered and their home pillaged. (See Plate 55) Here she clasps to her chest their youngest son Ushiwaka, wrapped in orange brocade; he will...
