hair ornaments; calligraphy; mirrors; hand mirrors
To celebrate and document the fashions of former times, Chikanobu created a chronological presentation of beautiful women in sumptuous garments. Above the foreground figures are pictorial insets which make reference to the era of the costume,...
banners; parasols; flowers (plants); baskets; women; men (male humans); kimonos; processions; floats (vehicles); Built complexes and districts
This set of small deluxe prints revisited many of the subjects and themes Chikanobu had depicted in earlier and larger formats. But where the "Chiyoda Inner Palace" or Chiyoda Ooku series of triptychs portrayed the shogun's private quarters where...
women; hairstyles; hair ornaments; kimonos; banners; lanterns (lighting devices); Single Built Works
Midway in the series is Horeki no koro (1751-63) which shows a modestly dressed woman, probably a merchant's wife, and the inset depicts the upper facáde of the kabuki theater Nakamuraza in Edo. The scene is identified as a kao mise / "face...
women; hats; veils (headcloths); kimonos; children (people by age group)
Dressed in a black lacquered hat with a broad brim and a delicate silk gauze veil, this woman appears to be in a traveling outfit. Perhaps she is supposed to be a court lady traveling between the Southern Court of emperor GoDaigo (1288-1339) in...
Of the 50 prints in the series, 7 depict women of the Meiji Era, although none of them wear Western clothes. This is different from Yoshitoshi's 1888 series "32 Aspects of Daily Life / Fuzoku sanjuniso" which has 9 women (out of 32) identified with...
women; hairstyles; hair ornaments; kimonos; children (people by age group); pictures (object genre)
Meiji period color woodblock print depicting a large head portrait of a young bijin wearing a kimono decorated with colorful calligraphy.
The series, "Mirror of the Ages" presents a group of fifty-three bust portraits of beauties from the Kenmu...
If the "Mirror of the Ages" series is viewed chronologically, perhaps in an album format, the costumes prior to the Tenna era are quite elaborately decorated with various colors, patterns and techniques, which make the 2 images representing the...
A beautiful woman (bijin) of the Kyōwa era (1801 through 1804) wears an elaborate hair stick decorated with birds and flowers; the hair around her face is finely drawn and shadowed. In the insert above her, a flowering tree branch is draped with a...
The image depicts a beauty of the Tenpo era, spanning the years from 1830 through 1844. She is wearing a Tsuno-kakushi--a traditional Japanese hat or veil said to hide a woman's "horns of jealousy" on her wedding day and indicate her resolve to be...
Akoya, an entertainer in Kyoto’s Kiyomizu zaka pleasure quarters, was mistress to the Heike warrior Taira Kagekiyo (died 1196), who was captured at the Battle of Dan-no-ura in 1185 but had escaped. The Genji commander ordered Hatakeyama Shigetada...
Meiji period color woodblock print depicting the head of a young bijin wearing a kimono decorated with wisteria and holding a closed fan. The upper part of the print pictures a festival with an elephant float. Kansei no Koro.
The series, "Mirror...
An old, bearded man holding a feather fan floats above a young man in white with a sword. A bucket and dipper sit in the background. Tengu are forest creatures with long noses who can fly and fight fiercely; his supernatural status is indicated in...
legends (folk tales); robes (main garments); children (people by age group); boys; sandals
Back to back print. A man in a priest's robes and headdress cups the chin of a young boy standing beside him; a rosary dangles from his right wrist. The boy, dressed in traveling clothes, grasps the priest's wrist and lays his face in the man's...
An older woman with shaved eyebrows, indicating her married status, is nicely but conservatively dressed. Her plaid inner robe is typical of late Edo Period fashions in the city of Edo, often influenced by kabuki stage costume textiles. She might...
Meiji period color woodblock print depicting a beautiful woman of the Tenmei era adjusting her hair pins. In a insert above her a party gathers on an engawa or veranda.
A noblewoman holding her brush in the traditional vertical position writes on the outside of a scroll. Her eyebrows have been shaved and "moth wing" eyebrows painted on her forehead, as appropriate to her rank. In the inset, a small box hold shells...
