hair ornaments; calligraphy; mirrors; hand mirrors
To celebrate and document the fashions of former times, Chikanobu created a chronological presentation of beautiful women in sumptuous garments. Above the foreground figures are pictorial insets which make reference to the era of the costume,...
A beautiful woman (bijin) of the Kyōwa era (1801 through 1804) wears an elaborate hair stick decorated with birds and flowers; the hair around her face is finely drawn and shadowed. In the insert above her, a flowering tree branch is draped with a...
women; hats; veils (headcloths); kimonos; children (people by age group)
Dressed in a black lacquered hat with a broad brim and a delicate silk gauze veil, this woman appears to be in a traveling outfit. Perhaps she is supposed to be a court lady traveling between the Southern Court of emperor GoDaigo (1288-1339) in...
men (male humans); battles; warriors; armor (protective wear); flames; balconies
he 1898 print set "Heike monogatari" published by Fukuda Hatsujiro was reissued in 1906 by Narasawa Kenjiro, evidently available with non-Heike or Genji warriors added, of which this is an example. This new collection has appeared under the title...
women; hairstyles; hair ornaments; kimonos; banners; lanterns (lighting devices); Single Built Works
Midway in the series is Horeki no koro (1751-63) which shows a modestly dressed woman, probably a merchant's wife, and the inset depicts the upper facáde of the kabuki theater Nakamuraza in Edo. The scene is identified as a kao mise / "face...
Of the 50 prints in the series, 7 depict women of the Meiji Era, although none of them wear Western clothes. This is different from Yoshitoshi's 1888 series "32 Aspects of Daily Life / Fuzoku sanjuniso" which has 9 women (out of 32) identified with...
Meiji period color woodblock print; a highly unusual design in Chikanobu's output. This design was obviously intended for the gaijin, and has been printed with an English title in the top margin. The eagle is depicted in its death throes, in the...
women; hairstyles; hair ornaments; kimonos; children (people by age group); pictures (object genre)
Meiji period color woodblock print depicting a large head portrait of a young bijin wearing a kimono decorated with colorful calligraphy.
The series, "Mirror of the Ages" presents a group of fifty-three bust portraits of beauties from the Kenmu...
A young woman and her puppy represent the Kan'ei era, a time when the Tokugawa shogunate was consolidating its power in Edo but still viewing the imperial capital of Kyoto as the center of Japanese culture. The bold designs on her kimono and the...
On the 7th day of the new year, the shogun presented the Inner Palace with large cakes of pounded rice / mochi. Making and eating mochi is still a popular new year's celebration, with small mochi cakes in a vegetable stew / ozoni being a popular...
emperors; empresses; kimonos; hats; military uniforms; flowers (plants); chairs; hairstyles
Meiji Emperor and Empress at the center, below Kunitokotachi no Mikoto (primordial deity) and two deities of Ise, Injin and Yojin, with other gods and Emperors flanking.
If the "Mirror of the Ages" series is viewed chronologically, perhaps in an album format, the costumes prior to the Tenna era are quite elaborately decorated with various colors, patterns and techniques, which make the 2 images representing the...
The image depicts a beauty of the Tenpo era, spanning the years from 1830 through 1844. She is wearing a Tsuno-kakushi--a traditional Japanese hat or veil said to hide a woman's "horns of jealousy" on her wedding day and indicate her resolve to be...
Meiji period color woodblock print depicting the head of a young bijin wearing a kimono decorated with wisteria and holding a closed fan. The upper part of the print pictures a festival with an elephant float. Kansei no Koro.
The series, "Mirror...
legends (folk tales); men (male humans); swords; kimonos
While hunting Taira no Koremochi came upon a princess and her attendants in the woods. At their invitation he joined them, and after feasting and drinking fell asleep. In a dream he was warned that the princess was in fact Kijo, a demon, who...
figures (representations); men (male humans); dresses (garments); firefighters
A fireman (hikeshi), dressed in a heavy quilted jacket and trousers, rope sandals, and wearing a headband, holds the matoi -- a three-dimensional standard used for identification and communication -- for his brigade. A protective glove dangles from...
An older woman with shaved eyebrows, indicating her married status, is nicely but conservatively dressed. Her plaid inner robe is typical of late Edo Period fashions in the city of Edo, often influenced by kabuki stage costume textiles. She might...
Meiji period color woodblock print depicting a beautiful woman of the Tenmei era adjusting her hair pins. In a insert above her a party gathers on an engawa or veranda.
A noblewoman holding her brush in the traditional vertical position writes on the outside of a scroll. Her eyebrows have been shaved and "moth wing" eyebrows painted on her forehead, as appropriate to her rank. In the inset, a small box hold shells...
men (male humans); women; children (people by age group); kimonos; calligraphy; trees; built works; shores (landforms)
The courtier Suguwara no Michizane (845-903) was unjustly forced from office in Kyoto and sent into exile at Dazaifu, in northern Kyushu. There Michizane taught local children “the secrets of calligraphy,” which became the title of the popular...
