men (male humans); soldiers; military uniforms; halberds; swords; chairs; fans (costume accessories); rifles (long guns); revolvers (firearms); maps; kimonos;
This imaginary group portrait has Saigo Takamori (1827-1877) seated at the top center panel dressed in a European style officer's uniform. He seems to direct his gaze toward Murata Shinpachi (1836-1877), his deputy in charge of the artillery,...
flags; men (male humans); military uniforms; ships; rifles (long guns); boats; swords; banners; Built complexes and districts
Following the destruction of the Japanese legation buildings in Seoul and the escape from Incheon of the minister and his staff, the Japanese government decided to retaliate. Hanabusa Yoshimoto was sent back to Korea with 3 warships and several...
"At 3 am on July 29 a battle commenced and after five hours our troops were completely victorious" begins the text panel account of this print. Chikanobu depicts two officers leading the assault with the nation's flag held high. A Chinese canon in...
maps; ships; boats; flags; swords; halberds; rifles (long guns); military uniforms; Built complexes and districts; soldiers
In July 1882 dissatisfied Korean military units rebelled against King Kojong's government, surrounding his palace, destroying the homes of Queen Min's relatives, overrunning police stations to free political prisoners, and attacking the Japanese...
Meiji period color woodblock print. On the 7th month 28th day of 1894, the Japanese Army landded at Asan, Korea expecting a great battle, but found the Chinese fortress deserted. However, Chikanobu imagines here how the attack might have gone.