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Claremont Discourse Lectures
  • All fields: themselves
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    • Ripping the veil, weaving meaning: the textures of African American expressive culture

    • Ripping the veil, weaving meaning: the textures of African American expressive culture

    • Sacred texts; Social psychology; Bible; Bible - Criticism, interpretation, etc.; African Americans; Christianity; Consciousness

    • How do groups of people engage themselves with a "central and center-ing" text? What does this engagement tell us about how the people express themselves? How do dominant groups interpret this engagement? Seen in the refracting mirror of...

    • 2005-03-09
    • An informed citizenry access: the Constitution and government documents

    • An informed citizenry access: the Constitution and government documents

    • Depository libraries; Electronic government information; Government publications; United States. National Archives and Records Administration; Madison, James, 1751-1836; Freedom of information

    • In 1822, James Madison asserted that "a popular government without popular information or the means of acquiring it, is but a prologue to a farce, or a tragedy, or perhaps both. Knowledge will forever govern ignorance; and a people who mean to be...

    • 2005-10-26
    • What was postmodernism?

    • What was postmodernism?

    • American literature; Artists; Authors as artists; Mr. Potato Head (Trademark); Nature; Poetry; Postmodernism; Reality; Self

    • In the 1980s, the term "postmodernism" was adopted by literary critics to designate what the reigning generation of artists and theorists, figures like Pynchon, Cage, Warhol, and Barthes, had in common. Postmodernists shared an interest in...

    • 2006-11-08

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