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Claremont Discourse Lectures
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    • Ripping the veil, weaving meaning: the textures of African American expressive culture

    • Ripping the veil, weaving meaning: the textures of African American expressive culture

    • Sacred texts; Social psychology; Bible; Bible - Criticism, interpretation, etc.; African Americans; Christianity; Consciousness

    • How do groups of people engage themselves with a "central and center-ing" text? What does this engagement tell us about how the people express themselves? How do dominant groups interpret this engagement? Seen in the refracting mirror of...

    • 2005-03-09
    • Material melody, immaterial writing: music and stenography in mid-19th century Germany

    • Material melody, immaterial writing: music and stenography in mid-19th century Germany

    • Music; Musical notation; Shorthand; Shorthand - Gabelsberger; Language, Universal; Wagner, Richard, 1813-1883; Schumann, Robert, 1810-1856; Berlioz, Hector, 1803-1869; Hoffmann, E. T. A. (Ernst Theodor Amadeus), 1776-1822; Mendelssohn-Bartholdy,...

    • Innovative stenography systems of the 1830s used the variable thickness of line that was so important in the cursive handwriting of the time to signify differences in phonemes. These systems and their descendants became the dominant shorthand...

    • 2006-03-01

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