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You've searched: Claremont Discourse Lectures

  • All fields: England
(2 results)



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    • Material melody, immaterial writing: music and stenography in mid-19th century Germany

    • Music; Musical notation; Shorthand; Shorthand - Gabelsberger; Language, Universal; Wagner, Richard, 1813-1883; Schumann, Robert, 1810-1856; Berlioz, Hector, 1803-1869; Hoffmann, E. T. A. (Ernst Theodor Amadeus), 1776-1822; Mendelssohn-Bartholdy,...
    • Innovative stenography systems of the 1830s used the variable thickness of line that was so important in the cursive handwriting of the time to signify differences in phonemes. These systems and their descendants became the dominant shorthand...
    • 2006-03-01
    • At Joyce's tomb: mourning, scholarship, and post-mortem copyright

    • Joyce, James, 1882-1941; Copyright; Intellectual property; Censorship; Fair use (Copyright); Public domain (Copyright law); Wordsworth, William, 1770-1850;
    • Literary scholars are familiar with the "Death of the Author," which Roland Barthes announced in 1968. But what happens when authors become undead and walk the earth in the surrogate body of the law? Taking the Estate of James Joyce as an...
    • 2005-04-13

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